{"product_id":"mcsweeneys-issue-64-mcsweeneys-quarterly-concern","title":"McSweeney's Issue 64 (McSweeney's Quarterly Concern)","description":"\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003cdiv\u003eCombining art, fiction, audio, and a slew of unclassifiable print objects in a custom box, \u003ci\u003eMcSweeney’s 64\u003c\/i\u003e is a riotous exploration of audiovisual storytelling, coproduced with Radiotopia from PRX (home to genius, independent audio creators including \u003ci\u003eSong Exploder\u003c\/i\u003e, \u003ci\u003eCriminal\u003c\/i\u003e, \u003ci\u003eEar Hustle\u003c\/i\u003e, and more). Each piece in the issue establishes its own relationship between audio and print—the contributor’s unique experiment in weaving the mediums.\u003cbr\u003e\u003cbr\u003eIncluded are Rion Amilcar Scott with a short fiction piece featuring two alternative audio endings; Pulitzer Prize-nominated composer Kate Soper with a transhumanist, interactive software upload; DeafBlind poet John Lee Clark on the limits of accessibility; Claudia Dey, Jason Reynolds, Renee Gladman, Sharon Mashihi, and more taking us on audio tours of our own homes; Aliya Pabani with a radio drama whose plot is complicated by a 24” x 30” illustrated poster; Ian Chillag with an absurdist, interactive phone tree; James T. Green, Catherine Lacey, and \u003ci\u003eThis American Life\u003c\/i\u003e’s Sean Cole with voicemail dispatches to the editor; National Book Award-finalist Kali Fajardo-Anstine, Aimee Bender, and Kelli Jo Ford with short stories that braid in audio; and so much more.\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cp\u003e\u003c\/p\u003e","brand":"McSweeney's","offers":[{"title":"Paperback","offer_id":53391600255249,"sku":"9781952119057","price":32.0,"currency_code":"USD","in_stock":true}],"url":"https:\/\/www.stablebookgroup.com\/products\/mcsweeneys-issue-64-mcsweeneys-quarterly-concern","provider":"Stable Book Group","version":"1.0","type":"link"}